Hello and thank you.
Another waste of time.
There is no excuse for it to happen like this.
Even the Wholehog 2 does it better.
Posts by Candela
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thank you very much.
I have already tried all the MIB modes.
I will test part cue.
Cue 1 fixture 1 at Full position 1 Fade 3 MIB OFF
Cue 2 fixture 1 at 0 position 2 Fade 3 MIB OFF
Cue 3 fixture 1 at full position 3 Fade 3 MIB Late
When I go from cue 1 to cue 2 the console sets the dimmer to zero in 3 seconds but does not go to position 2.
I tried on a GMA2 which goes to position 2 by turning off the dimmer in 3 seconds.
Is this normal?
You have a third option for the time and delay layer "AT FILTER".
Do you have the dwg or DXF of all the malighting materials (ma3 and ma2).
Thank you and good day.
1 thru 7.1 thru
They select just the cells.
Select fixture that have an effect and click stomp.
set the position and store the next cue or update it.
One more key to type almost every dimmer to send. This is the case for many things in the software of the 3 compared to the 2.
I don't get paid for the number of keys I press but for efficiency and speed.
Dimmer number then please then level wheel (Please is too much. Even if i'm polite).
fixture x at fixture y please then please to choose the option (good but it has to. An option for removed would be cool).
First put the right view then store preset (Disable view button and cli view in MA2).
Auto create saves time for presets (color wheels,gobo, beam...).
You must assign seq to a layout if you want to play it whitout exec (Direct action)
The more keys I hit, the less I sleep.
Just 1 month of use.
I love it but too much stuff lost compared to MA2 (Pixel mapping, Vpu, Export patch and seq to csv, import ASCII, Filters Time and FX, Fx width without changing the bpm, CITP, Preview, Blind editor...).
If it can help.
For 2 sequences play you make 4.
2 assign to a master (1 and 2) and 2 in the sequence pool which contain your projectors (3 and 4).
then you do 2 macros.
Copy Sequence 3 At Sequence 2
Copy Sequence 4 At Sequence 1
Copy Sequence 3 At Sequence 1
Copy Sequence 4 At Sequence 2
If you assign a macro to an exec (101).
You have to add a line to the macros: Assign Macro x at Exec 101
Store Preset X.Y /EB
Store Preset X.Y /Embed
Type help in the command line and you will have keywords and options
More and more keys for simple work.
If I use a selective phaser on a group of sunstrip.
I take the 1st half of this group, I change the phase then I try to make 2nd half of group AT 1st half of group.
It does not copy me the new phase and gives me the beginning effect.
And if in the clone options I click on high then even the 1st part of the group returns to the original effect.
Normally I don't need to extract the values since the new phases are not marked as a preset.
If I do it with a universal phaser the copy goes well.
More and more stuff to do
I made a sequence with projectors that have individual times (delay + fade) on the dimmer.
I play the sequence.
I clear the programmer.
If I change the level of the dimmer of these projectors in the programmer they automatically have the individual times and moreover it passes over the Program time.
To program it is boring but if I have a problem with a projector and I want to cut it urgently, I have to type fixture x at 0 fade 0 delay 0.
Is there an option to avoid this?
The only problem with this system is when you do OFF OFF "Everything off"
it cuts the executor which controls the masters.
Thank you very much.
Have a good day.
but what I would like is to assign a high priority without having to give the sequence number.
Just click on the macro and the executor button. (as in gma2: assign /priority=high @).
I searched I dug and I did not find.
Thank you very much for the offcue it works very well.
Do you have an idea for high priority?
I would like to make a macro to assign an offcue time of 1s to a sequence
and another to put a sequence in high priority.
Do you know the syntax?